Two Botanists and An Artist Walk Into the Desert...

Two Botanists and An Artist Walk Into the Desert...

October 23, 2018

The Amon Carter Museum of American Art (ACMAA) sponsored Barney Lipscomb and Tiana Rehman to serve as botanical guides to West Texas for artist Mark Dion. Commissioned by the ACMAA, Mark—a contemporary artist who is part explorer, part historian, part naturalist, and part collector—is making a series of exploratory journeys through Texas that are inspired by four early naturalists/artists in Texas: Sarah Ann Lillie Hardinge (1824–1913), John James Audubon (1785–1851), Frank Law Olmsted (1822–1903), and Charles Wright (1811–1885). In 2020, the ACMAA Special Exhibition Galleries will tell the story of these early Texas Artists and natural history travelers in Texas.

Map of Wright's journey through West Texas
Map of Wright's journey through West Texas (from Flowering Plants of Trans-Pecos Texas and Adjacent Areas)

            BRIT’s West Texas travels with Mark shadowed the footsteps of pioneer botanist and collector, Charles Wright, one of if not the most commemorated name in Texas botany. Their journey took them west to El Paso where they first visited Dr. Richard D. Worthington, Associate Professor Emeritus in Biology at The University of Texas at El Paso (UTEP) and Curator of the UTEP Herbarium. Dr. Worthington’s research interests have focused on plant diversity on mountains of different sizes in the southwestern United States and the documentation of the flora across southern New Mexico and western Texas. (He’s also co-author of BRIT Press’s newest publication, Flowering Plants of Trans-Pecos Texas and Adjacent Areas!)

Charles Wright, 1855
Charles Wright, ca. 1855, unknown photographer (Wikimedia Commons)

            Charles Wright came to Texas in 1837 just after Texas independence. In 1849, Harvard University botanist Dr. Asa Gray made arrangements for Wright to “tag along” with a supply wagon train, organized by Major Jefferson Van Horne. The wagon train was following a newly discovered southerly and more direct route from San Antonio to El Paso. Charles Wright walked over 1300 miles and collected some 1404 collections of plants on this round trip from San Antonio to El Paso. Wright returned to San Antonio in late 1849. In 1851, Wright was officially appointed to the U.S.-Mexico Boundary Survey expedition to El Paso, New Mexico, and Arizona, under the direction of Lieutenant Colonel James D. Graham. The expedition arrived at Frontera, Texas, a customs place in the upper El Paso Valley. Wright returned to San Antonio in August 1852 with just over 2000 more collections, not only from Trans-Pecos but also from New Mexico, Arizona, and northern Mexico. Tiana and Barney visited the area of present day Frontera, and with Mark Dion they collected a few plant specimens.

Barney talks to videographers about West Texas plants
Barney talks to videographers about West Texas plants

            They also explored and collected at the Rio Bosque Wetlands Park, a 372-acre City of El Paso park that UTEP manages through its Center for Environmental Resource Management (CERM). Wetlands and riverside forests once graced the banks of the Rio Grande in the Paso del Norte region. They were the most productive natural habitats in the region when Charles Wright was there, but today they are virtually gone. Perhaps the highlight of this present-day West Texas trip was the 150-mi journey east of El Paso along the same route of Charles Wright over the Salt Flats in Hudspeth County to the Guadalupe Mountains in Culberson County. They visited the Butterfield Overland Mail Coach station in the Guadalupe Mountains National Park. Located at 5534-foot Guadalupe Pass, this was one of the most favorably situated stations on the original 2800-mile Butterfield route.

Mark Dion and Barney Lipscomb look at plants
Mark Dion and Barney Lipscomb discuss West Texas plants.

            The three-day journey with Mark Dion was adventurous and productive. They made thrilling, stimulating, and satisfying discoveries in the spirit of Charles Wright who collected in these areas some 168 years ago. They traveled, walked, observed nature in all of its beauty, and collected 28 numbers of plant specimens, many of the same genera/species that Charles Wright collected. Specimens were collected in triplicate, and hundreds of photos were taken. Some of the dried, scientific plant specimens will be part of the 2020 Amon Carter Museum of American Art exhibition, Perilous Texas Adventures with Mark Dion.

            Tiana and Barney gladly shared their expertise and had some great moments with Mark while retracing a part of the route of Charles Wright and the U.S.-Mexico Boundary Survey expedition in the middle of the nineteenth century.

Girl Scout badge
Girl Scout badge

 

 

Leave A Response

Restricted HTML

  • Allowed HTML tags: <a href hreflang> <em> <strong> <cite> <blockquote cite> <code> <ul type> <ol start type> <li> <dl> <dt> <dd> <h2 id> <h3 id> <h4 id> <h5 id> <h6 id>
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

Related Articles

The Living Herbarium: Instructions for Life

Article originally published in The Leaflet (April 2014) by Brian Witte, PhD, BRIT Research Associate (Disclaimer: The technical aspects of this article are dramatically simplified in the interests of communicating with an audience entirely unfamiliar with molecular biology. Send me an email ( bwitte@brit.org ) if you would like a deeper explanation.) We like to repeat, loudly and often, that there are over 1 million plant specimens in the Philecology Herbarium at BRIT. It’s a nice, big, round number, and it sounds cool when tour groups come through. What if I told you that as imposing as that number sounds, the real number is closer to a thousand billion (1,000,000,000,000) plants*? The goal of an herbarium is to preserve plants. The ideal specimen, in many respects, has all the essential...
Read More >

The Living Herbarium: Many Hands Make Godzilla

Article originally published in The Leaflet (May 2014) by Brian Witte, PhD, BRIT Research Associate There is a stereotype of the scientist as a lone genius, laboring in obscurity until their “Eureka!” moment changes the world. If Hollywood is to be believed, this Eureka moment is usually followed by the destruction of Tokyo and/or New York by a giant robot/genetic mutant/superstorm. In reality, we have a tragic lack of giant robots, and nothing that we’ve done in the herbarium has (yet) threatened a major metropolitan area. We also rely heavily on collaboration, rather than solitary toil. In fact, I would venture to say that collaboration is the fundamental characteristic of science. NOT what we do…exactly. Nowhere is this more on display than in the herbarium at BRIT. Over the past month,...
Read More >

The Sweep of Time

Article originally submitted for The Leaflet (June 2014) by Brian Witte, PhD, BRIT Research Associate Most of us live in the moment. Paycheck-to-paycheck, living for the weekend, summer vacation, twitter updates. Updates now are measured in seconds. America, too, is a young nation. Few places west of the Appalachians boast buildings over 150 years old, and most of us live in suburbs built in the decades following World War II. So much around us is new…even our landscapes are new, transformed by mechanized farming, car culture, and introduced species. That’s not entirely news, and it’s not entirely new, either. Look, for example, at this sheet I recently encountered while tidying up a database of digitized herbarium specimens. Click to enlarge and read labels. This was one of the last colle...
Read More >

Insert Clever Title Here

“Hell — is sitting on a hot stone reading your own scientific publications.” ~ Erik Ursin, fish biologist. One of my favorite journal articles is a little number called “How to write consistently boring scientific literature." Penned by Kaj Sand-Jensen at the University of Copenhagen, this piece is a glib editorial about technical writing…that was somehow published and promulgated by a technical writing source. (Brilliant!)
Read More >